FROM INFERNAL TO “PRIMITIVE”

1.Figure 2.11-2.32 (page 259-283)The Rite of Spring by Igor Stravinsky

2. Figure 2.33-2.48 (page 286-248) Influences, gestures, and sonorities in The Rite of Spring

3. Figure 2.49-2.54 (page 296-304) The Miraculous Mandarin by Bela Bartok

MUSICAL “PROGRESS” – SCIENCE – AND MACHINES

4. Figure 2.63 (page 325) Intonarumori by Luigi Russolo

5. Figure 2.63 (page 325) Intonarumori by Luigi Russolo

6. Figure 2.65 (page 329) Karawane by Hugo Ball

MANUFACTURING SONIC AVANT-GARDISM

7. No figure (page 341) Ameriques by Edgard Varèse

8. Figure 2.70 (page 345) Offrandes by Edgard Varèse

9. No figure (page 346) Hyperprism by Edgard Varèse

10. Figure 2.72-2.73 (page 353) Octandre by Edgard Varèse

11. Figure 2.74-2.80 (page 360-370) Ionisation by Edgard Varèse

12. Figure 2.81 (page 371-374) Srynx by Claude Debussy

13. Figure 2.81 (page 371-374) Density 21.5  by Edgard Varèse

14. Figure 2.82-2.85 (page 380-383) Poème Électronique  by Edgard Varèse

15. Figure 2.87 (page 398) Quartet by John Cage

16. Figure 2.88 (page 399) Trio by John Cage

17. Figure 2.89 (page 400) First Construction by John Cage

18. Figure 2.91 (page 405-408) Third Construction  by John Cage

19. Figure 2.92 (page 414) Bacchanale by John Cage

20. Figure 2.93 (page 415) And The Earth Shall Bear Again  by John Cage

21. Figure 2.94 (page 416) Primitive  by John Cage

22. Figure 2.95 (page 417) Tossed as it is Untroubled by John Cage

23. Figure 2.96 (page 418) Tossed as it is Untroubled by John Cage

24. Figure 2.97 (page 422) Imaginary Landscape No.4 by John Cage

25. Figure 2.100 (page 432) Funeral March for the Obsequies of a Deaf Man by Alphonse Allais

26. Figure 2.101 (page 433) Monotone-Silence Symphony by Yves Klein

27. Figure 2.102 (page 434) In Futurum by Erwin Schulhoff

28. Figure 2.103 (page 435) 4’33” by John Cage

29. Figure 2.107 (page 446-447) The Instruments of Harry Partch 1950s TV segment

30. Figure 2.108-2.109 (page 456-459) Delusion of the Fury by Harry Partch

EXTENDED TECHNIQUES AND THE COMPOUND EFFECT

31. Figure 2.113 (page 465) Sequenza for flute by Luciano Berio

32. Figure 2.113 (page 465) Black Angels by George Crumb

33. Figure 2.113 (page 467) Guero by Helmut Lachenmann

34. Figure 2.113 (page 467) Licht by Karlheinz Stockhausen